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Walking in Two Worlds - Fallon Artist Shannon Christy Hooper Honors Native Traditions While Forging a Modern Path-

Walking in Two Worlds -  Fallon Artist Shannon Christy Hooper Honors Native Traditions While Forging a Modern Path-
Shannon Hooper, left, is joined by her mother, Debra Christy Hooper, in front of her “Eagle Warrior” painting. She is holding a pencil portrait she drew of her mother. Photo by Christy Lattin

When Shannon Christy Hooper enters a room, she carries generations with her. A proud member of the Fallon Paiute Shoshone and Pyramid Lake Paiute tribes, Hooper blends ancestral wisdom with the creativity of a modern Native American artist. This year, she earned a Master’s in Fine Arts from the Institute of American Indian Arts (IAIA) in Santa Fe, New Mexico.

For Hooper, art bridges the past and future. For her MFA, she created thesis pieces honoring her family’s legacy of basket weaving, a skill passed down through generations of Paiute and Shoshone women.

“Weaving baskets is part of my family’s legacy, and I wanted to give back by continuing the tradition,” she said. “I’ve taken on a practice my family has done for generations.”

Her mother, Debra Christy Hooper, mentored her as she created five cone baskets with modern touches. Traditionally woven from willows, Hooper reimagined her baskets with contemporary flair — one woven from wire symbolizing Nevada’s barbed-wire fences, others decorated with colorful beads inspired by Pyramid Lake sunsets. Her creative blend of tradition and innovation has drawn attention across the Native American art world.

Raised in Fallon, Hooper discovered art early. At Churchill County High School, she excelled in drawing and painting and credits her teachers for expanding her artistic foundation. She also sang in choir, performances that helped her develop confidence for Native American royalty pageants.

After graduation, Hooper worked as an Indian Education liaison for the Churchill County School District. Her childhood goal was to become an art teacher, and she continues that pursuit through Early Childhood Education studies. But her passion for art drew her first to New Mexico to study Fine Arts and immerse herself in Indigenous creative traditions.

Her years at IAIA were an “amazing experience.” She found her voice as an artist and a community celebrating Indigenous craftsmanship. After earning two undergraduate degrees, she joined the MFA program. Unknown to her, her portfolio of traditional Native dresses had been submitted for a Ralph Lauren scholarship. They were “blown away” by her work and awarded her the scholarship.

Later, Hooper was a guest speaker for Ralph Lauren’s Native American Heritage Month event in 2024, discussing her customary and contemporary textiles designs. This connection led to her work being featured in the New York Timesand Vogue.

Her art has also carried her abroad. In 2024, she joined fellow IAIA artists at the prestigious Venice Biennale in Italy, an annual cultural exhibition. She performed the Shoshone flag song and offered a prayer in Paiute at the opening ceremony of the IAIA’s exhibit. The school’s cohort also performed “The Kitchen Table” in the U.S. Pavilion.

Long before graduate school, Hooper served as a cultural ambassador through Native American pageantry. She began competing at age 11 and has since earned seven titles, including Miss Congeniality and Best Public Speaker, Miss Indian World Competition (2012); Miss Indian Nations (2012–13); and Miss American Indian Higher Education Consortium (2019–23).

Unlike conventional beauty contests, Native pageants celebrate cultural knowledge, leadership, and service. Contestants are judged on fluency in Native languages, traditions, and community involvement. Serving as Miss Indian Nations proved “life-changing,” she said. The title brought travel, school visits, and opportunities to share songs and stories from her heritage. Winning the Miss AIHEC title in 2019 brought larger audiences. She represented her community at national events, always ready to perform or speak about Native identity.

In August 2024, the Museum of Contemporary Native Art in Santa Fe hosted Hooper’s first solo show. She felt “thankful beyond words” to be recognized for highlighting Shoshone and Paiute traditions. Her pieces were also included in the Celebration for Native American Arts and Culture exhibit at Fallon’s Oats Park Art Center.

Because of her deep knowledge of tribal traditions, Hooper is often invited to speak or perform. This year, she sang, prayed, and gave opening remarks at IAIA’s scholarship night and modeled for designer Jennifer Benally during the Santa Fe Indian Market. 

Hooper now serves as a pageant consultant but continues to give back locally. She works with the United Readers program in Fallon, helping elementary students strengthen their reading skills. She and her mother volunteer at Native events, sharing stories and skills with neighboring communities. Together, they sewed and donated ribbon skirts and vests for children at the Wadsworth Head Start program so they could participate in traditional dances.

Hooper credits her family’s unwavering support for her achievements; her grandfather is memorialized in a pencil drawing, and several of her pieces are dedicated to her mother. 

Through her art, mentorship, and dedication, Shannon Christy Hooper walks in two worlds, carrying her ancestors’ legacy forward while inspiring the next generation to embrace their own.

 

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